University of Oregon School of Music
Fri. & Sat., February 14-15, 2003 • 8 p.m., Robinson Theater
Sunday, February 22, 2003 • 8 p.m., Umpqua Community College
MOZART'S OPERA, THE MAGIC FLUTE
Libretto by Emanuel Schikaneder
Photos courtesy of Cliff Coles
Stage Director
Tamino, a prince
First Lady
Second Lady
Third Lady
Papageno, a birdman
Pamina
Monostatos, a moor
The Queen of the Night
Three Spirits:


First Priest/Spokesman
Second Priest
Sarastro, the High Priest
Papagena
Armed Guards

Mark Kaczmarczyk
Andrew Brock
Jennifer Bacon
Nora Ryan
Emily Pidcock
Gene Chin
Marie Landreth
Carlos Zapien
Shawna Gottfredson
Christine Keene
Juliet Strong
Erica Brookhyser
Philip Engdahl
Matt Toews
Doremus Scudder
Hallie Silverston
Peter Hollens
Kieran Schnabel
Greg Barkett

Chorus:
Sarah Cawley, Rachel Gitner, Dana Hutcheon, Karen Kumley, Anne Nykyforchyn, Julie Fabrizio, Jessica Goldring, Chelsea Maricle, Laura Vaughan, Moses Brown, Nat Paulsen, Kieran Schnabel, Matt Toews, Greg Barkett, Josh Klatz, Simon Thompson

The Animals:
Tamara Andreas, Alejandro Mejia, Meghan Grant, Matthew Toews, Saranthorn Komonsuwan, Rachel Wierichs

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UNIVERSITY SYMPHONY, Wayne Bennett, conductor

Violin I
Dan Flanagan**
Sirpong Tiptan
Lillie Wells
Mzuri Robertson
Yoichiro Etsuki

Violin II
James Andrewes*
Tanya Couture
Elizabeth O’Mara
Elizabeth Doty
Lionel Thomas

Viola
Samara Humbert*
Jacquelyn Schmidt
Emma Tepfer

Cello
Gabrielle Arness*
SoYun Jeong

Bass
Tyler Abbott*

Flute
Kanae Komugi*
Jasmine Hedrick
Danielle Holten

Oboe
Jillian Camwell*
Marisa Swartzman

Clarinet
Blake McGee*
Laura Woodruff

Bassoon
Beth Shoemaker*
Melissa Schoenack

Horn
Rachel Seay*
Benjamin Garrett

Trumpet
Michael Wilson*
Makiko Chiashi

Trombone
Matt Moresi*
Joe Freuen
Nathan Brown

Timpani
Brian Gardiner*

Glockenspiel
Shaunna Eberhard

** concertmaster
* principal


SYNOPSIS

Act I
A prince, Tamino, is chased by a vicious monster into the realm of the Queen of the Night. He is saved by the Queen’s Three Ladies. The Queen herself commissions Tamino to rescue her daughter, Pamina, from an abductor, Sarastro. Tamino, by now in love with Pamina’s portrait, will be rewarded by marrying Pamina. The bird-catcher Papageno is to be his helper. Their only aids are a magic flute and magic bells, gifts from the Queen. Pamina is captive in Sarastro’s palace and guarded by the cruel, lecherous Monostatos. Papageno finds his way into Pamina’s chambers, scares off Monostatos, and tells Pamina of Tamino’s love for her. Extolling love, they leave together seeking Tamino. Tamino, led by Three Spirits, finds Sarastro’s court and learns that he must join Sarastro’s group in order to win Pamina. Glad that Pamina is still alive, he plays his flute and is answered in the distance by Papageno’s pan pipes. As Tamino rushes out to find his comrade, Papageno and Pamina run in, but are intercepted by Monostatos. Only the music of Papageno’s magic bells saves them from capture. Sarastro enters with his followers, and Monostatos brings in the captured Tamino. Tamino and Pamina see each other for the first time, but are forced to separate until Tamino and Papageno prove their worthiness.

Act II
Sarastro and his community’s priests, discussing Tamino’s and Papageno’s entry into their society, realize that the two men must face dangerous tests and even mortal danger to prove themselves. But Pamina, too, undergoes agonizing trials: she must withstand Monostatos’ unwelcome advances and threats against her life. She must reject her mother’s increasingly unwholesome influences. During these events, Sarastro’s goals are revealed as largely benevolent and the Queen’s as evil. Papageno fails the tests, but his good nature wins him Papagena, the wife for whom he has longed. Tamino, with Pamina at his side, successfully passes the tests of fire and water. The Queen and her followers sink into oblivion. Sarastro and his followers celebrate as Tamino and Pamina are united through love — and the power of the magic flute.