Publications
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BOSS, JACK • Co-editor (with Bruce Quaglia), Musical Currents from the Left Coast (Cambridge Scholars Publishing, 2008).
ARTICLES/REVIEWS • “The ‘Musical Idea’ and Motivic Structure in Schoenberg’s Op. 11, No. 1,” in Musical Currents from the Left Coast, ed. Jack Boss and Bruce Quaglia (Cambridge Scholars Publishing, 2008). • "The 'Musical Idea' and Global Coherence in Schoenberg's Atonal Music," Intégral 14/15: 209-64. • "Schenkerian-Schoenbergian Analysis" and Hidden Repetition in the Opening Movement of Beethoven's Piano Sonata Op. 10, No. 1," Music Theory Online 5/1. • "The 'Continuous Line' and Structural and Semantic Text-painting in Bernard Rands's Canti d'Amor," Perspectives of New Music 36/2: 143-85. • "Schoenberg's Op. 22 Radio Talk and Developing Variation in Atonal Music," Music Theory Spectrum 14/2: 125-49. • Book Reviews of Schoenberg’s Musical Imagination by Michael Cherlin in Music Theory Online, Schenker Studies 2, ed. by Carl Schachter and Hedi Siegel, in Notes, and Analytic Approaches to Twentieth-Century Music by Joel Lester in Journal of Music Theory. |
DIAZ, FRANK
Non-peer reviewed
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• S. Rachmaninoff: Preludes, op. 3/2 and op. 23 (Schirmer Performance Editions, 2012)
 • Liszt: Consolations and Liebesträume (Schirmer Performance Editions) • Prokofiev: Visions Fugitives. op. 22 (Schirmer Performance Editions)
• P. Tchaikovsky: Album for the Young, op. 39 (Schirmer Performance Editions) • P. Tchaikovsky: The Seasons, op. 37b (Schirmer Performance Editions, 2009) |
| GRANT, ROGER MATHEW
• 2013 “Ad infinitum: Numbers and Series in Early Modern Music Theory,” Music Theory Spectrum 35/1, accepted and forthcoming. • 2012 “Formalism in the Music Theory Classroom,” Journal of Music Theory Pedagogy, commissioned and forthcoming. • 2011 “Situating Time in Haydn’s Die Schöpfung,” in Zyklus und Prozess. Joseph Haydn und die Zeit, ed. Marie-Agnes Dittrich, Marin Eybl, Reinhard Kapp (Vienna: Böhlau Verlag), 97–115 (invited). • 2010 “Haydn, Meter, and Listening in Transition,” Studia Musicologica 51/1–2, 141–152. • 2009 “Epistemologies of Time and Metre in the Long Eighteenth Century,” Eighteenth-Century Music 6/1, 59-75. • 2008 “Hysteria at the Musical Surface,” Music Theory Online 14/1. Reviews: • 2009 Review of Jean-Luc Nancy’s À l’écoute, Journal of the American Musicological Society, 62/3, 748–752 (invited). • 2009 “Herder, Music, and Enlightenment,” conference review, Eighteenth-Century Music 6/1, 146–148 (invited). |
KRUCKENBERG, LORI ARTICLES AND CHAPTERS • “Transmission, Reception, Resistance and Adaptation of Sequentiae novae of ca. 1100.” Beiträge zum Kulturtransfer. Perspektiven eines Forschungsansatzes (in press). • “Music for John the Evangelist: Virtue and Virtuosity at Paradies.” In Leaves from Paradise: The Cult of John at the Dominican Convent Paradies bei Soest, 133–160, edited by Jeffrey F. Hamburger. Houghton Library Studies. Cambridge, MA: Houghton Library, distributed by Harvard University Press, 2008. • “The Lotharingian Axis and Monastic Reforms: Towards the Recovery of an Early Messine Trope Tradition.” In Cantus Planus – Study Group of the International Musicological Society: Papers Read at the Twelfth Meeting, Lillafüred, Hungary. 23–28 August 2004, edited by László Dobszay, et al., 723–752. Budapest: Hungarian Academy of Sciences, 2006. • “Neumatizing the Sequence: Special Performances of Sequences in the Central Middle Ages,” Journal of American Musicological Society 59/2 (Summer 2006): 243–317. • “Making a Sequence Repertory: The Tradition of the Ordo Nidrosiensis Ecclesiae” (Chapter 1) and “Two Sequentiae novae at Nidaros: Celeste organum and Stola iocunditatis” (Chapter 11). In The Sequences of Nidaros: A Nordic Repertory and It European Context, 5–44 and 297–342. edited by Lori Kruckenberg and Andreas Haug, Skrifter nr. 20. Trondheim: Tapir Academic Press, 2006. • “The Absence of Transmission: Symptoms of a Musical-Cultural Reception Barrier between the West- and East Frankish Regions.” In Bericht über den XIII. Internationaler Kongress der Gesellschaft für Musikforschung in Weimar 2004, 2 vols. Edited by Detlef Altenburg, et al. Kassel and Stuttgart: Bärenreiter/Metzler, in press since 2005. • “Some Observations on a Troparium Tardivum. The Proper Tropes in Utrecht, Universiteitsbibliotheek, 417,” Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 50/1–2 (2003): 151–182. • “Zur Rekonstruktion des Hirsauer Sequentiars,” Revue bénédictine 109/1–2 (1999): 186–207. |
LATARSKI, DON • Practical Theory for Guitar with CD (Audio) by Don Latarski, Aaron Stang(Editor) Paperback (October 4, 1993) Warner Brothers Publications • Scale Patterns by Don Latarski, Mass Market Paperback (June 28, 1991) Warner Brothers Publications • Moveable Chords by Don Latarski, Mass Market Paperback (September 27, 1991) Warner Brothers Publications • An Introduction to Chord Theory by Don Latarski, Mass Market Paperback (August 28, 1991) Warner Brothers Publications • Arpeggios for Guitar by Don Latarski, Mass Market Paperback (July 31, 1991) Warner Brothers Publications • Chord Embellishments by Don Latarski, Mass Market Paperback (October 15, 1991) Warner Brothers Publications • Chord Orbits by Don Latarski, Mass Market Paperback (June 18, 1991) Warner Brothers Publications |
MCLUCAS, ANNE DHU • Later Melodrama in America : Monte Cristo (Ca.1883) -- Charles Fechter et al.; Hardcover Vol 4 (December 1994) Garland Pub • The Song Repertoire of Amelia and Jane Harris, co-edited with Emily Lyle (Edinburgh: The Scottish Text Society) (2002) • Edition of Monte Cristo (1884), Nineteenth-Century American Musical Theater (New York: Garland Press) (1994) • Edition of Charles Dibdin's The Touchstone, or Harlequin Traveller (1779), Music for London entertainment, Series D. (London: Stainer and Bell) (1990) • Editor, Music and Context: Essays for John M. Ward (Cambridge, |
PAUL, PHYLLIS M. • Paul, T. A., & Paul, P. M. (2010). Winds and hymns: Resource guide to hymns, chorales and spirituals in selected wind literature. Galesville, MD: Meredith Music Press. • Paul, T. A., & Paul, P. M. (2009). The effect of changing syllables to facilitate slurring by middle school trumpet students. Contributions to Music Education, 36, 41-51. • Paul, P. M. (2009). Aesthetic experiences with music: Musicians versus children. Update: Applications of Research in Music Education, 27, 27-37. • Paul, P. M. (2008). Using verbal reports to investigate children's aesthetic responses to music. Journal of Music Therapy, 45, 427-442. • Paul, P. M. (2008). Elementary-aged children's aesthetic experiences with music. Journal of Music Therapy, 45, 135-146. • Paul, P. M. (Fall, 2005). The effect of manipulating sound envelope components on identifying wind instrument timbre. Bulletin of the Council for Research in Music Education, 166, 17-26. • Paul, P. M. (2004). Enhancing musical response with children's literature. General Music Today, 17, 6-16. |
PAUL, TIMOTHY A. • Paul, T. A. (Fall, 2011). Pac-ten wind ensemble programming trends. Journal of Band Research, 47. • Paul, T. A. (2010). Sight-reading requirements at concert band festivals: A national survey. Contributions to Music Education, 37. •Paul, T. A., & Paul, P. M. (2010). Winds and hymns: Resource guide to hymns, chorales and spirituals in selected wind literature. Galesville, MD: Meredith Music Press. • Paul, T. A., & Paul, P. M. (2009). The effect of changing syllables to facilitate slurring by middle school trumpet students. Contributions to Music Education, 36, 41-51. |
RODGERS, STEPHEN • “Sentences With Words: Text and Theme-Type in Die schöne Müllerin,” Music Theory Spectrum (forthcoming). • “Miniatures of a Monumentalist: Berlioz’s Romances, 1842–50,” Nineteenth-Century Music Review (forthcoming). • Special Festschrift edition of Music Theory Online 18/3, in memory of Steve Larson, co-edited with Henry Martin and Keith Waters. • “Review of Yonatan Malin, Songs in Motion: Rhythm and Meter in the German Lied,” Journal of Musicological Research 31/2–3 (2012): 204–09. • “Fanny Hensel’s Lied Aesthetic,” Journal of Musicological Research 30/3 (2011): 175–201. • “Thinking (and Singing) in Threes: Triple Hypermeter and the Songs of Fanny Hensel,” Music Theory Online 17/1 (April 2011). • “Review of Matthew Santa, Hearing Form: Musical Analysis With and Without the Score,” Music Theory Online 16/3 (August 2010). • “Music Smashed to Pieces: The Destructive Logic of Berlioz’s Roméo au tombeau,” Current Musicology 89 (Spring 2010): 37–73 • “Paradigms, Prototypes, and Other Analytical Adventures: A Review of Kofi Agawu’s Music as Discourse,” Theoria 16 (2009): 111–128. • “Mania and Musical Metaphor in the First Movement of Berlioz’s Symphonie fantastique,” in Sounding Off: Music and Disability Studies, ed. Joseph Straus and Neil Lerner, 235–256, Routledge, 2006. • “‘This Body That Beats’: Roland Barthes and Robert Schumann’s Kreisleriana,” Indiana Theory Review 18/2 (Fall 1997) [published 2000]: 75–91. |
| SMITH, MARIAN • Ballet and Opera in the Age of Giselle by Marian Elizabeth Smith, Hardcover - 288 pages (September 15, 2000) Princeton Univ Press |
| TEDARDS, ANN • Marian Anderson (American Women of Achievement) -- Anne Tedards, Matina S. Horner(Designer); Paperback - 112 pages (April 1989) Chelsea House Publishing |
WACHTER, CLAIRE • "The Master Class Experience and the Moment of Transformation" The Oregon Musician (Vol. 17, No. 1.) Spring pp. 4-7 (2009) • News and Views: "What advice do you give to graduating high school seniors?" Keyboard Companion, Spring (Vol. 14, No. 1) pp. 53-55 (2003) • Technique: "How do you work with a student who plays everything loudly?" Keyboard Companion, Autumn (Vol. 11, No. 2) p.17 (2000) • "The Piano Teaching of Theodore Leschetizky," The Oregon Musician (Vol. 8, No. 1) Winter pp. 4-6 (2000) • "A Rolfer Can Tune Your Body," Piano and Keyboard, September/October pp. 22-25 ( 2000) • "The Unique Piano Pedagogy of Johannes Brahms," Piano Life, Vol. 3, No. 2 (Greenwich, CT: Excellence in Music, Spring) pp.30-32 ( 1998) • "Committee Report: Professionalism Portfolio for the Independent Teacher: Studio Policies," Piano Life, (Greenwich, CT: Excellence in Music, Fall) pp. 34-36 Co-authored with Helen Tarchalski Smith (1998) • "Pedal Points," The Oregon Musician Vol. 4, No. 1. Spring 1996 pp. 6-9 • "The Piano Animal," The Piano Quarterly No. 134 (Wilmington, VT: The Piano Quarterly, Inc., summer) pp. 50-52 Co-authored with Dean Kramer (1986) |
WOIDECK, CARL • Charlie Parker: His Music and Life by Carl Woideck (Hardcover - November 1996) • The Charlie Parker Companion : Six Decades of Commentary by Carl Woideck(Editor) Paperback - 294 pages (December 2000) Schirmer Books • The John Coltrane Companion : Five Decades of Commentary (Companion Series) by Carl Woideck(Editor) Paperback - 300 pages (December 2000) Schirmer Books • The John Coltrane Companion : Four Decades of Commentary (Companion Series) by Carl Woideck(Editor) Paperback - 222 pages (August 1998) Music Sales Ltd |
