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Harold Owen
(541) 346-3761M
hjowen@uoregon.edu
Harold Owen is professor emeritus of composition,
musicianship, and music history and former
chair of the department of composition at the
University of Oregon School of Music. In addition
he has been the director of the University
Collegium Musicum and the University Consort,
a faculty ensemble devoted to the performance
of early music.
He received his B.Mus. degree in 1955 and
his M.Mus. degree in 1957 from the University
of Southern California, both with honors. After
teaching in the public schools of Hopland,
California in 1957 to 1959, he served as Composer-in-residence
in Wichita, Kansas under the Contemporary Music
Project sponsored by the Music Educators National
Conference in 1959-60.
Owen returned in 1960 for doctoral study at
the University of Southern California on a
scholarship from Broadcast Music, Inc., served
as a Graduate Teaching Fellow the following
year, then joined the USC faculty in 1962 to
teach theory and composition until 1966. He
completed the DMA in composition at USC in
1972.
He became a member of the John Biggs Consort
during the early 1960s and toured with the
group during summers. This association led
to his establishment of the University Consort
shortly after joining the faculty of the University
of Oregon School of Music in 1966. The Consort
has performed regularly throughout the Northwest
since then. He remained on the faculty of the
UO School of Music until his retirement in
March, 2001.
He has written a large number of compositions
for chorus, orchestra, wind ensemble, and a
variety of solos and chamber ensembles, both
vocal and instrumental. Many of his choral
works are in print as well as works for organ
and various chamber ensembles. He has won several
composition awards and commissions, including
a string quartet for the Coleman Chamber Concerts
in Los Angeles; an orchestral work, Periaktos
was commissioned by the Eugene Symphony and
performed in 1978; a work for wind ensemble
was commissioned for performance at the College
Band Directors National Association conference
in 1985; a Chamber Concerto for the
Oregon Mozart Players performed in 1986; a
Concerto for Tuba and Wind Ensemble premiered
by the principal tubist of the Los Angeles
Philharmonic in 1990; and a mass for chorus
and two string quartets, premiered by the Eugene
Chamber Singers in 1994. A work for baroque
ensemble, Variations on a Rondeau by Rameau
was premiered in Portland, Oregon, in March,
2001.
Owen's textbook, Modal and Tonal Counterpoint,
Josquin to Stravinsky was published in
1992 by Schirmer Books, New York. The book,
now in its seventh printing, has been used
widely in America and abroad. Owen has developed
and updated a set of course materials for tutorials
in the use of Finale, an excellent computer
music notation application. The set of tutorials,
updated recently for the current version of
Finale, are available on the Internet and have
been used by many individuals and schools around
the world (including translations into Russian,
Norwegian, and Portugese). His text, Music
Theory Resource Book, was published in
2000 by Oxford University Press. His most recent
book, Handbook for Creative Musicians,
was published by G.I.A. Publications in February,
2001.
Owen continues to be active as composer, author,
teacher, and adjudicator. In 1998 he was invited
to the campus of the University of Montana
to serve as guest composer and adjudicator
for the annual Composers' Showcase. Several
of his compositions were performed during the
event, followed by a session for discussion
of the new works.
For more than twenty years, Owen has been
choirmaster at St. Mary's Episcopal Parish
in Eugene, Oregon, where he established the
Philharmonia Sacra Concerts devoted to the
performance of liturgical music. He has written
a large number of works for the church, many
of which have been published, including anthems,
organ works, two books of trumpet descants
to familiar hymns, and a collection of hymn
harmonizations published by G.I.A., Chicago.
Besides composing and conducting, Owen is
a performer on piano, harpsichord, and recorders
and other Renaissance wind instruments.
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